Stuck in the Same Muck
Editorial / VILNIUS (Lithuania)
07.05.2021 – 29.06.2021
A seedy face at the bottom of the bowl
A web woven over and over and over
A weary mermaid tired of the changing of
A sheep whose horns grow a turn each year
A string of bees sticking
together Babies and
A sun with no future
A house in the middle of nowhere
I was wrong and I just can’t live without you, never
Apotropaic symbols were widely used in medieval times, to ward off evil spirits and protect those who applied them. They were stitched to the hems of garments, carried in concealed purses, woven and knit into the patterns of clothing, scratched into walls and carved into the tools of everyday life. These symbols often gave reference to natural elements—plants, animals, cosmological geometry and grotesque hybrids—while connecting to elaborate mythologies and visual proverbs. While illiteracy prevailed, these symbols can be seen as some of the only surviving first-hand traces of medieval non-elite, and their hopes, fears, and values(1). Over a vast expanse of time, as values shift- ed—science negating the spiritual and craft giving way to industry—these symbols have slowly been consolidated and abstracted into abbreviations of their former significance.(2) Following interviews with a few shades of craftspeople, preservationists and historians, alongside visual and textual research into symbology in ornament and craft as communication, Reutinger has developed a series of works stained and stitched with symbols of her own. Stuck in the same muck is an invitation to learn how to live together, as animals in the same pasture, and spin the semiotics of sentiment into the web of our world. Second hand textiles, dyes of lichen and bark, onion skins and rust, trash from the forest and bags from the market—Reutinger used material on-hand to color and shape a space to keep evils at bay.
(1)Champion, Matthew. “Medieval Graffiti: The Lost Voices of England’s Churches”. Random House: 2015.